Thomas Phillips

Born                              Adelaide, South Australia

Education                     1992 – 97 Advanced Diploma of Visual Art. Adelaide Central School of Art (ACSA)

Solo Exhibitions            2004 Cube Contemporary Art, (Adelaide)

2002 SICK!, S.E.A.S. Gallery, (Adelaide)

1998 Studio Gallery, Adelaide Central Gallery.        

1998 Figures in space, Onkaparinga, (Adelaide)

Group Exhibitions         2004 Small Realities Criterion Gallery, (Hobart)

2003 S.E.A.S. Studio S.E.A.S. Gallery, (Adelaide)

2001 Art Odyssey, Adelaide West End Association, (Adelaide)

2001 Dirty Martini, S.E.A.S. Gallery, (Adelaide)

                                      2001 ACSA Studio Show, Adelaide Central Gallery

2000 NOVA Show, NOVA Cinemas, (Adelaide)

                                      1999 ACSA Life Drawing Group, Adelaide Central Gallery

                                      1999 ACSA Studio Show, Adelaide Central Gallery

                                      1998 EVA Art Prize, Pultney Grammar, (Adelaide)

                                      1998 Fleurieu Art Prize

                                      1997 Graduates Exhibition, Adelaide Central Gallery


Collections                    Private Collection, Adelaide, Hobart

                                      Public Collection, Onkaparinga T.A.F.E. (Noarlunga campus)


Prizes/Grants                2002 Art S.A. Emerging Artist Grant Recipien

2001 S.E.A.S. Exhibition Grant, Funded by Australia Council

                                      1994 Internal Scholarship winner, Adelaide Central School of Art


Memberships                2004 Currently Member Topfloor Studios, (Adelaide)

2001 Currently Member Beach Road Art Workshop,(Adelaide)

2001-2004 Member S.E.A.S. Studios, (Adelaide)

1997-2001 Member Adelaide Central Studios


Reviews                         The Advertiser, April 12, 2004 by Adam Dutkiewicz

                                       Mercury, 12, June 2004, by Joery Anderch

                                       The Adelaide Review, June 1997 by Stephanie Radok